tag:blogger.com,1999:blog-86621338844102490022011-11-01T13:36:50.111-07:00ERIN DZIEDZIC (Je-jitz)Interactions with ArtErin Dziedzichttp://www.blogger.com/profile/09246700678294939412noreply@blogger.comBlogger211100tag:blogger.com,1999:blog-8662133884410249002.post-77612999871528069122011-11-01T13:26:00.000-07:002011-11-01T13:36:50.134-07:00It Is There If You Want to Take the TimeGeorge Landow (aka Owen Land) 1944-2011We can individually identify with absurdist behavior, although, our ability to disregard material, visual or otherwise, is the catalyst to the manifestation and longevity of this human condition. Experimental film-maker George Landow, also known as Owen Land (1944-2011), used mode of “structural film” coupled with satirical wit and self-referential material Erin Dziedzichttp://www.blogger.com/profile/09246700678294939412noreply@blogger.com0tag:blogger.com,1999:blog-8662133884410249002.post-43216920956727112192011-08-10T16:02:00.000-07:002011-08-11T07:33:29.904-07:00ArtCore Blog LaunchThank you, to those of you who have been keeping up with ERIN DZIEDZIC (Je-jitz): Interactions with Art. This blog will remain and I will continue to post regularly in addition to a new blog that I have developed called ArtCore.
ArtCore
The mission of the ArtCore blog is twofold, requiring writers to engage with contemporary art beyond the borders of “home” or ones current city and to provide Erin Dziedzichttp://www.blogger.com/profile/09246700678294939412noreply@blogger.com0tag:blogger.com,1999:blog-8662133884410249002.post-30705775299636901772011-04-25T14:09:00.000-07:002011-04-25T18:29:13.467-07:00Twist & GoExhibition by Jonathan Yoerger at Fahm Hall Gallery | 9 N. Fahm St. Savannah, GAApril 1-14, 2011Twist & GoM.F.A. Painting candidate Jonathan Yoerger is keeping the discussion of the perplexing nature of Postmodernism alive, and I like it. Amongst all of the big –ism questions, discussions and aesthetics Postmodernism really does get caught up in its own cyclonic wind-up, and the tension, Erin Dziedzichttp://www.blogger.com/profile/09246700678294939412noreply@blogger.com0tag:blogger.com,1999:blog-8662133884410249002.post-32632279427647562852011-04-06T13:13:00.000-07:002011-04-06T13:14:10.270-07:00Twist & GoComing up....review of Jonathan Yoerger M.F.A. thesis exhibition "Twist & Go."Erin Dziedzichttp://www.blogger.com/profile/09246700678294939412noreply@blogger.com0tag:blogger.com,1999:blog-8662133884410249002.post-57299929409565410702011-02-07T12:44:00.001-08:002011-02-07T14:01:02.211-08:00James Franco: Who Knew?I’ve been doing some thinking about (gasp!) James Franco as a lightly complex way of easing back into writing after my blog hiatus. I’ll use him as a jumping off point. Although, gathering from the responses from many of my artist friends when I mention his name it seems as thought they would prefer a jumping off point as well, perhaps off a bridge. So, to kick off some serious blogging in 2011 IErin Dziedzichttp://www.blogger.com/profile/09246700678294939412noreply@blogger.com0tag:blogger.com,1999:blog-8662133884410249002.post-16646489812318858882010-09-21T18:11:00.000-07:002010-09-21T18:58:34.424-07:00Art in the Culture of Continuous Spectacle <!--[if gte mso 9]> <![endif]--><!--[if gte mso 9]> 0 false 18 pt 18 pt 0 0 false false false <![endif]--><!--[if gte mso 9]> <![endif]--> <!-- /* Font Definitions */ @font-face {font-family:Cambria; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; Erin Dziedzichttp://www.blogger.com/profile/09246700678294939412noreply@blogger.com0tag:blogger.com,1999:blog-8662133884410249002.post-62155764771230096282010-07-07T14:04:00.000-07:002010-08-23T11:13:06.471-07:00Young Curators, New Ideas III(Untitled) The Masquers by Craig Drennen | Curated by Erin Dziedzicmr. & mrs. amani olu (formerly amani olu projects), in conjunction with P•P•O•W511 West 25th Street, Room 301 | July 22 - Aug. 20, 2010 | Reception: July 22, 6-8 p.m.The Masquers, Craig Drennen’s most recent visualized characters within the Timon of Athens (c. 1605–1608) series recontextualizes David Robbins’ 18 photographic Erin Dziedzichttp://www.blogger.com/profile/09246700678294939412noreply@blogger.com0tag:blogger.com,1999:blog-8662133884410249002.post-89972137679517527132010-06-08T07:10:00.000-07:002010-06-08T07:12:46.293-07:00Nka: Journal of Contemporary African ArtVolume: 2010, Number: 26Check out my review of Deborah Poynton's exhibition/work from "Everything Matters" in the first issue of Nka: Journal of Contemporary African Art published by Duke University Press.Erin Dziedzichttp://www.blogger.com/profile/09246700678294939412noreply@blogger.com0tag:blogger.com,1999:blog-8662133884410249002.post-57080630638610615642010-03-06T14:42:00.000-08:002010-04-01T20:47:14.156-07:00Whitney Biennial 2010 try { var pageTracker = _gat._getTracker("UA-15618613-1"); pageTracker._setDomainName(".blogspot.com"); pageTracker._trackPageview(); } catch(err) {}Whitney Museum of American ArtFeb. 25 - May 30, 2010The art world is ready for something new. And although that statement seems somewhat of an impossibility in the art world in terms of new realms of creative thinking, amidst an audience that is Erin Dziedzichttp://www.blogger.com/profile/09246700678294939412noreply@blogger.com0tag:blogger.com,1999:blog-8662133884410249002.post-31615361583286732502010-02-19T12:12:00.000-08:002010-03-02T08:08:40.925-08:00Mini Armory PreviewLocation | New York CityDates | Mar. 3 - 7, 2010Coming off of the foot heels of my Miami mini review, which seems like only a short while ago I've decided to compile and share a mini Armory preview of some noteworthy fairs, exhibitions, lectures, and parties that my colleagues out there in the art world have generously shared with me. Are we really already into February and looking on to March!? Erin Dziedzichttp://www.blogger.com/profile/09246700678294939412noreply@blogger.com0tag:blogger.com,1999:blog-8662133884410249002.post-84389025063041761542009-12-30T08:37:00.000-08:002010-01-11T14:18:14.799-08:00Krzysztof Wodiczko...OUT OF HERE: The Veterans ProjectImpacting both the soldiers who participate in war and those civilians who occupy the spaces of conflict, Krzysztof Wodiczko's video and sound installation at the ICA Boston imparts a flood of emotion. At the same time Wodiczko's work prompts questions of how uncertain our understanding really is of our own perceptions of war. Running until March 28, 2010, OUT OF HERE demonstrates Wodiczko's Erin Dziedzichttp://www.blogger.com/profile/09246700678294939412noreply@blogger.com0tag:blogger.com,1999:blog-8662133884410249002.post-3707524261012834482009-12-07T06:54:00.000-08:002009-12-07T13:20:20.785-08:00Art Basel Miami Beach 2009 | Mini ReviewThe atmosphere at Art Basel this year was refreshingly dynamic. There was a real positive sense of energy that filtered through the venues and into the social scene as well, despite the current lukewarm economic status for luxury. There was a certain something about a majority of the booths at the main fair and the satellite locations that exhibited an inspiring sense of intellectual force. This Erin Dziedzichttp://www.blogger.com/profile/09246700678294939412noreply@blogger.com0tag:blogger.com,1999:blog-8662133884410249002.post-33670536467738346372009-11-23T07:19:00.000-08:002009-11-23T12:23:50.104-08:00CinemagicianYeondoo JungAsia SocietyFriday, November 20, 2009WAKE UP NEW YORK CITY! PERFORMA 09, in its third edition of the biennial dedicated to new visual art performance, certainly knows how to put on a show. There was a packed house at Yeondoo Jung's performance of Cinemagician at the Asia Society, commissioned by PERFORMA with the Yokohama Festival for Video and Social Technology. Supported by The Erin Dziedzichttp://www.blogger.com/profile/09246700678294939412noreply@blogger.com0tag:blogger.com,1999:blog-8662133884410249002.post-24998341253929172852009-11-17T12:45:00.000-08:002010-02-22T21:10:29.529-08:00Franklin SirmansNew AppointmentIn his first public lecture at SCAD since being appointed department head and curator of contemporary art at the Los Angeles County Museum of Art (LACMA), Franklin Sirmans gave a brief preview into his curatorial practice and the previous appointments he has held in his exciting career. Sirmans will make the short journey to L.A. in January, succeeding Lynn Zelevansky, who recentlyErin Dziedzichttp://www.blogger.com/profile/09246700678294939412noreply@blogger.com0tag:blogger.com,1999:blog-8662133884410249002.post-44012232707815644332009-11-08T19:44:00.000-08:002010-02-08T12:50:07.330-08:00Circling the Center by Nene HumphreyBrooklyn-based artist Nene Humphrey's most recent series/project/performance/exhibition, Circling the Center is motivated by collaboration in every sense of the word. This project's origins began with a residency at Joseph LeDoux's neuroscience laboratory at New York University where Humphrey worked with scientists to visualize recorded images from the amygdala, the part of the brain where Erin Dziedzichttp://www.blogger.com/profile/09246700678294939412noreply@blogger.com0tag:blogger.com,1999:blog-8662133884410249002.post-1450116305870156782009-11-04T07:43:00.000-08:002009-11-08T19:43:40.842-08:00Point of EntryArtists continue to explore their love for art and architecture in ways that posit the notion of a space between; an exploratory avenue where artists examine what it is they admire of or struggle with in architecture, and present these findings in unique ways. In the Point of Entry exhibition at Pinnacle Gallery, Sept. 30 - Nov. 4, 2009 artists, Scott Ingram, Josef Schulz and Lucy Williams' work Erin Dziedzichttp://www.blogger.com/profile/09246700678294939412noreply@blogger.com0tag:blogger.com,1999:blog-8662133884410249002.post-1629927359435443992009-08-07T08:22:00.000-07:002009-08-23T13:31:19.029-07:0053rd Annual La Biennale di Venezia 2009As I planned and plotted my must see stops at the 2009 Venice Biennale, generously accumulated by recommendations and maps from friends and colleagues, I became my own worst itinerary. However, as I stepped off of the vaporetto onto the crunchy white gravel that links one pavilion to the next, all of my fastidious preparations, which is just the process I apparently like to put myself through, Erin Dziedzichttp://www.blogger.com/profile/09246700678294939412noreply@blogger.com0tag:blogger.com,1999:blog-8662133884410249002.post-60904429960424070972009-05-15T13:30:00.000-07:002009-05-28T07:59:33.304-07:00Olafur Elaisson: Take Your TimeOlafur Eliasson, 360° room for all colours, 2002; installation view at the Kunstmuseum Wolfsburg, Germany, 2004; Private collection, courtesy Tanya Bonakdar Gallery, New York; photo: Jens Ziehe; © 2009 OlafurErin Dziedzichttp://www.blogger.com/profile/09246700678294939412noreply@blogger.com0tag:blogger.com,1999:blog-8662133884410249002.post-9734781888619978262009-05-11T11:59:00.000-07:002010-04-01T20:43:39.631-07:00 var gaJsHost = (("https:" == document.location.protocol) ? "https://ssl." : "http://www."); document.write(unescape("%3Cscript src='" + gaJsHost + "google-analytics.com/ga.js' type='text/javascript'%3E%3C/script%3E")); try { var pageTracker = _gat._getTracker("UA-15618613-1"); pageTracker._setDomainName(".blogspot.com"); pageTracker._trackPageview(); } catch(err) {}Victoria FuThe Afterlife of Erin Dziedzichttp://www.blogger.com/profile/09246700678294939412noreply@blogger.com0tag:blogger.com,1999:blog-8662133884410249002.post-12675834141999661412009-05-08T11:19:00.000-07:002009-05-08T12:22:55.332-07:00Tania Bruguera, The Weather Underground in ConversationArt Chicago SpeaksMay 1Everything Changes a flute/voice and percussion performance by Janice Misurell-Mitchell and Dane Maxim Richeson set the tone for the discussion to follow by giving an echo to the idea of change and prompting us to listen to the conflicting notions that change is possible and in the same breath is impossible. Performing the poem, Everything Changes by Bertolt Brecht, Erin Dziedzichttp://www.blogger.com/profile/09246700678294939412noreply@blogger.com0tag:blogger.com,1999:blog-8662133884410249002.post-70164583154880651332009-05-05T08:17:00.000-07:002009-05-05T13:40:15.286-07:00Art Chicago 2009Apr. 30 - May 1, 2009While the art fair of the past is changing with our economic times it is certainly moving in a positive direction. While many of the expectant favorites that we saw in years past (Galerie Lelong, Sampson Projects) did not attend this year there are certainly a myriad of exhibitors who have brought their best and have chosen to curate it well within their allotted spaces. Erin Dziedzichttp://www.blogger.com/profile/09246700678294939412noreply@blogger.com0